The Velsheda from Speake-Marin

In red gold!

Courtesy of Speake-Marin

Here are the details -

The new Velsheda features in red gold, blued hand to indicate time, while two continually changing superimposed ‘topping tool’ motifs create eye-catching patterns in the centre of the dial.
Named after the iconic British “J Class” yacht built in the 1930s and still racing today, Velsheda offers a minimalist display of time using a single polished steel, blued hand. While the single hand extends across the diameter of the dial, its central hub is in the form of the Speake-Marin topping tool logo, as is the central seconds wheel sitting above it. The rotation of the seconds wheel on top of the slower moving hub of the hand creates ever-changing, eye- catching patterns, drawing the eye to the centre of Velsheda’s dial.

The blued hand and topping tool motifs contrast beautifully against the elegant white lacquer, multi-level dial. The sides of the highly legible Roman numerals taper towards the centre, a subtle but significant detail endowing the dial with a dynamic, contemporary feel.
The sumptuously sculpted hand is neatly counter balanced by a pointer at one end and an arc at the other; coupled with the fine 5-minute graduations around the peripheral chapter ring they create an overall aesthetic echoing that of a compass. This seafaring visual aspect is fitting since Velsheda’s name is inspired by the marine world: The yacht Velsheda was designed for racing and in the 1930s was one of the most technically advanced sloops of her day.

This nautical feel is strengthened by the Piccadilly case in red golf featuring a fluted, two- position crown (manual winding and time-setting with hacking seconds). Peter Speake-Marin says: “The shape of the Speake-Marin Piccadilly case is inspired by early marine chronometers. For me, the case is primarily a means of clothing the movement, as was the case with early marine chronometers.”

Velsheda’s Vaucher calibre is an automatic winding movement. The movement dominates the view through the display-back and provides a technical backdrop for the beautifully finished rotor. Like the central hub of the hand and the seconds wheel, the rotor is in the shape of the Speake-Marin topping tool logo, a motif permeating the whole timepiece.

The Velsheda was a super yacht, part of the J Class, designed by Charles Ernest Nicholson and built in 1933 by Camper and Nicholsons in Gosport, England for businessman William Lawrence Stephenson. Its name came from the first syllable of each of Stephenson’s three daughters: Velma, Sheila and Daphne. At the time, she incorporated some of the most sophisticated technical designs for sails, deck gear, ropes, spars and rigging. Between 1933 and 1936 she was a regular race-winner, competing with the likes of Britannia, Shamrock V and Endeavour.

Velsheda is part of Speake-Marin’s “J Class” collection. 

A New Brand Partner for Speake-Marin

I have grown a bit weary and somewhat dubious about brand partners, but this one I can get behind -

© Marco Grob for Speake-Marin 

Here are the details straight from Speake-Marin   -

Pierce Brosnan is probably one of the best-known Irish actors worldwide. From his first scenes in Remington Steele to the famous Thomas Crown, and including his iconic role as James Bond, Pierce Brosnan has played many roles, embracing classical repertoires, comedies and thrillers. In 2015, the actor will appear on cinema screens in The Moon and the Sun, It, Last Man Out and Survivor.

The relationship began when Peter Speake-Marin met the actor on the set of one of his latest films for which he had been selected by Director James McTeigue (V for Vendetta, The Raven...).
This meeting of two artistic worlds, films and watches, developed into a genuine friendship.
Sharing the same roots as Peter Speake-Marin and his passion for watchmaking combined with an admiration for the Swiss brand's timepieces, Pierce Brosnan was a natural choice as the ideal ambassador for the brand. 

'I met Peter on the set of a film in which he was a consultant for a character who was a watchmaker. We spoke briefly; we both love what we do, and myself as a lover of watches I appreciated his genuine passion and subsequent designs. I acquired one of his time pieces and a dialogue ensued. When Peter asked me to be an ambassador for his work it was a simple answer.`

                                                                                                           Pierce Brosnan

 

 

The renowned Swiss photographer Marco Grob shot the campaign in his New York studio. Elegance, simplicity, independence and courage are the values shared by the watchmaking brand and the actor, and he has succeeded in capturing all of these. Pierce Brosnan will embody Speake-Marin. 

A Few Minutes with Peter Speake-Marin

Peter Speake-Marin was kind enough to share some time with me this past week - and now - A Few Minutes with Peter Speake-Marin

James  -   What was your first watch – is there a the story behind it?

Peter Speake-Marin - My first watch was a “Steve Austin Bionic Man” watch, back in the seventies with an led push button display.  I can’t say this fired my desire to become a watchmaker but it will always hold a place in my heart.  If I remember correctly, my Uncle bought a small quantity of them from a dubious source and then proceeded to given them away to the children in the area. The first ‘real’ watch I owned was a Longines military watch from 1948 that I acquired in London, when I was working in the Piccadilly arcade.  I then (probably very wrongly) opened the case back up to view the movement, and redesigned the dial in a slightly more gothic fashion. I wore that watch religiously for around 5 years before giving it to a friend who had always coveted it.  He continues to wear it today. He now lives and works for Apple in California.

J - Where were you born?

P - St Margarets hospital, Epping, Essex in 1968

J - When you were a boy, what did you "want to be when you grew up?”

P - Initially as a child, perhaps a bus driver like my father.  Following that I never had a clear view except that it had to be what I perceived to be practical and creative.  As an adolescent I had aspirations of going into architectural engineering.

J -  It seems fair to say that perhaps you were an "accidental watch maker"?  Your first interest was jewelry, yes?

P - I left school half way through my A levels and initially tried for the engineering division of the RAF.  I was under-qualified for this, and began searching for something else, which I thought would suit my skill set.  Jewelry seemed to fit, however the lack of a foundation degree in art meant I was immediately rejected from this avenue. A careers teacher in Loughton Essex dug up an old prospectus on Horology (a word that at 17 years of age I had no understanding of).  After my first visit to the school in Hackney I started the course 2 weeks after it had begun. At 17 I found something that I was good at and held the promise of travel. My Brother and Father had traveled extensively and I had always wanted to do the same. I was told that watchmaking meant that I could find work in any city in the world.

J - Are you more artistic, or more mechanical?

P - Both sides of my brain are fairly balanced which is a strength and enables me to advance projects very quickly, designing things which both are beautiful and work and can be made.

J -  There is a real history of notably famous English watchmakers - Graham, Harrison, and others.  Do you see yourself ever returning to the UK to set-up shop there?

P - Some times I play with the idea but it is already very complex producing the components I design in Switzerland, where I currently live and work. Switzerland is highly specialized in this domain. To make these types of components in the UK would be difficult. Returning to the UK to live for periods of time is a strong possibility, to set up a company making the type of watches I make today virtually impossible.

J -  Who else is making watches that interest you?

P - Nobody specifically but I am drawn to the independent world more than the larger companies because these guys feel far more authentic to me in their motivation.


J - If you weren't doing this, what would you be doing?

P - Probably driving a bus.

J -  Living and working in Switzerland - did you have any challenges/difficulties adapting culturally? How about with the language?

P - Language was the toughest element, I am not a natural linguist and although I work like a dog I am lazy at those things which I need but don’t really appreciate, French is one of them.

J - I have to say, I love the Marin-1 with your SM2 self-winding movement.  How long did it take for you to develop this new caliber?

P - From original drawings througto delivering the first watches approx 3 years

J - Any future SM calibers in the future?

P - There are already a number in developement but all based in some way on the SM2

Marin -1

J -   You seem to spend a lot of time "on the road" meeting your customers and fans - has it always been this way?

P - I spend less time than people perceive traveling, but when I do travel I try to make as much noise as possible since this is my way of reminding people that I am there and about my work. Like many independents I spend my cash on the watches and not marketing.  As a result the traveling becomes my marketing and as I meet my clients and visit different countries I share the experience on the internet. It has not always been this way but will increase over the next 2 years as my business grows until a point comes when I can be more conventional in marketing my work. This does allow me to live a childhood dream of travel.  In September I leave for a world tour which will be for at least a month.

J - You are one of the "Friends" in the MB&F "Friends" - what is that like?

P - Max has been a friend for many years and I am happy to have been able to help him start his business as he helped me and many other independents when he was with Harry Winston.

P - It seems that you might have come into watchmaking at just about the right time with the renaissance of mechanical time pieces following the quartz crisis. What are some of the differences you see between when you started out and where things are now?

P - Essentially the increased size of the collectors market and education through social media, had the internet not existed I doubt I would have been able to have the success I have had today.

J - Where do you see Peter Speake-Marin in three years’ time?

P - In a different workshop with a larger team in a constant state of development.

J - What do you like to do in your "down" time?

P - Family, food, wine.


                                       

J - Was there ever a time when you asked yourself - "what was I thinking?"

P - Every other day

J - Going out on your own was a big decision. Any regrets?

P - None

J -  Finally, any advice to the future aspiring watchmakers/entrepreneurs out there?

P - Create a real business plan which will help you to plan every element of your business and work, and assure your self a financial cushion.  Believe actions and results not words.

In addition to be one of the world's leading independent watch makers, Mr. Speake-Marin is also an author and you can purchase his book here:

 watchprint.com

Visit the Peter Speake-Marin website here:  

www.speake-marin.com